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Awelye - Women's CeremonyGalyas work is distinctive and highly individual. Her early paintings, dating from around 2004, drew on Portulaca oleraceaknown as munyerooa grass once abundant in the Utopia region and an important food source for generations. Its tiny black seed became central to her imagery, with Galya adopting its half circle form as a dominant motif in her paintings. Over fifty years of cattle grazing greatly reduced the abundance of this grass. In her paintings,

Pantjiya paints the sacred ceremonial sites

This is due to the fact that the traditional patterns applied are intended to embody the spirits of ancestors

Maria Curley is painting the Caterpillar Dreaming that she inherited from her Grandmother

‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees

She subsequently gained recognition as one of Australia’s most prominent Indigenous artists

Margaret moved to Adelaide around 2003

circular rock holes and winding creeks

Minnie Pwerle's first exhibition was in 2000 at Flinders Lane Gallery in Melbourne and many others followed and her works can be found in numerous collections in Australia and overseas and no collection of Aboriginal Art is complete without a Minnie painting

Her artistic process is deeply connected to her surroundings

Priscilla works for Iwantja Arts in the far north of South Australia

Johnny Scobie Tjapanangka

west of Kingtore

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