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A Severing of the Instinct'A Severing of the Instinct' is a hand built sculpture with a hand drawn representation of seal skin across its surface. It uses the real world heritage skills of modelling and drawing to create a work that can exist in a form that can confront a viewer. The work is based on sculptural representations of the severed head of St John the Baptist. The drawing of seal skin fur across the face signifies that the head belongs to an "other than human" who

this piece utilises concrete in an unlikely way to create a smooth to the touch yet bulky coffee table piece

My work often focuses on different aspects of the human body and plays with ideas around seduction and sensuality from a queer perspective

These collective collages were then transferred onto a biomorphic inflatable form

a little chocolate

This work reflects the psychological fragility behind the desire for visibility in the digital age

utopian landscape

glimpses of transformation or new meaning slipping in and out of view

things you cannot measure and things you cannot define

embedded images and outdated components

Space fractures into soft planes and angular ruptures

This portrait is from Green Dark

and marks the point where I moved into works where layering and texture was much more dominant